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DTSTART;TZID=America/Los_Angeles:20260717T193000
DTEND;TZID=America/Los_Angeles:20260719T210000
DTSTAMP:20260613T050958
CREATED:20260528T000552Z
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SUMMARY:The Guy Who Didn't Like Musicals
DESCRIPTION:Show Dates: \nJuly 17th\, 7:30 PM \nJuly 18th\, 7:30 PM \nJuly 19th\, 2:00 PM \nJuly 19th\, 7:30 PM \n  \nDirector: \nAllissa Flood \nMusic Director: \nBrandon Mock & Lana Marriott \nContent Disclosures: \nViolence\, Gun Violence\, Sexual References\, Death\, Gunshots\, and Adult Language \nDescription: \nEverything in Hatchetfield seemed normal until people began singing… Then\, they began dancing… And now\, a musical pandemic is sweeping the entire city. It’s up to Paul (an average guy who doesn’t like musicals) and his friends to stop this musical apocalypse and fight for humanity’s future. \n  \nTickets: The Guy Who Didn’t Like Musicals via ThunderTix \n 
URL:https://newprospecttheatre.org/event/the-guy-who-didnt-like-musicals/
LOCATION:Lucas Hicks Auditorium
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260722T200000
DTEND;TZID=America/Los_Angeles:20260722T220000
DTSTAMP:20260613T050958
CREATED:20260612T211616Z
LAST-MODIFIED:20260612T211616Z
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SUMMARY:An Evening with David Wilcox
DESCRIPTION:There are songwriters who chronicle life\, and then there’s David Wilcox—an artist who metabolizes it. He has long been a quiet force in American folk music; a musician’s musician\, a writer’s writer\, and a seeker whose gift lies in making the personal feel universal. \nWith the release of The Way I Tell the Story (2025)\, Wilcox proves\, yet again\, that resilience isn’t just a survival skill—it’s an art form. The record shimmers with musical sophistication but leaves just enough space for the listener to feel what Wilcox has always done best: tell the truth\, gently but without apology. \nThe music he’s creating now comes from a place that can’t be faked. In recent years\, Wilcox’s life has been shaped by his wife’s Parkinson’s diagnosis—a shift that reordered his priorities and redefined his sense of time\, love\, and presence. But rather than retreat\, Wilcox leaned in. “Times get tough\, and music gets good\,” he says\, and means it. These songs don’t dramatize. They don’t resolve neatly. They sit in the complexity of living—open-eyed\, unafraid\, quietly brave. \nWilcox’s career began in earnest in the late 1980s\, when his self-released debut The Nightshift Watchman caught the attention of A&M Records. His major-label debut\, How Did You Find Me Here (1989)\, became an unexpected hit\, selling over 100\,000 copies largely by word of mouth and live shows alone—an unheard-of feat for a debut folk record. Critics took note of his deft guitar work and emotional clarity\, but it was the unassuming wisdom threaded through his lyrics that truly set him apart. Rolling Stone praised his “soulful insight\,” while The New York Times called his music “a kind of open- hearted therapy.” \nWhat followed was a string of acclaimed albums—Big Horizon (1994)\, Turning Point (1997)\, What You Whispered (2000) each one refining his reputation as a songwriter who knows how to say hard things in soft\, lasting ways. Over the years\, he’s shared stages and collaborations with artists like Shawn Colvin\, Patty Larkin\, Pierce Pettis\, and John Gorka—fellow craftspeople committed to song over spectacle. But Wilcox has never followed the current. He’s followed the work\, and in 2018 Wilcox won top honors In the 23rd annual USA Songwriting for his effervescent “We Make the Way by Walking” from his album\, The View From the Edge. \nThat work has earned him quiet but enduring respect. His songs have been covered by k.d. lang and Tony Rice; his guitar work studied by those who understand that precision\, when rooted in care\, becomes its own kind of virtuosity. His influence runs deep\, especially among younger artists trying to build something real in a world obsessed with surface. \nWilcox’s music still resonates\, especially now\, because it doesn’t try to outpace the moment. It meets it. In his world\, craft is a form of care. Introspection is a public offering. And staying soft in a hard world isn’t a liability—it’s a kind of leadership. \nFor audiences seeking something more than noise\, more than nostalgia\, Wilcox’s songs remain a rare kind of company. Not flashy. Not loud. Just deeply\, generously alive. \nTickets: An Evening with David Wilcox via ThunderTix
URL:https://newprospecttheatre.org/event/an-evening-with-david-wilcox/
LOCATION:Lucas Hicks Auditorium
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DTSTART;TZID=America/Los_Angeles:20260726T193000
DTEND;TZID=America/Los_Angeles:20260726T213000
DTSTAMP:20260613T050958
CREATED:20260504T150848Z
LAST-MODIFIED:20260504T150848Z
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SUMMARY:A Night of Zimbabwean Music\, Dance\, Drumming & Song
DESCRIPTION:John Mambira \nOriginally from Bulawayo\, Zimbabwe\, John Mambira is the founder of the acclaimed band Bongo Love. Since arriving in the United States in 2007\, he has shared the joy of Zimbabwean drumming\, marimba\, dance\, and theater arts with audiences and students across the Pacific Northwest\, earning a reputation as one of the region’s most vibrant ambassadors of Zimbabwean culture. \nRatie D \nA captivating vocalist and world music artist\, Ratie D channels Zimbabwe’s spirit through her powerful voice and contemporary sensibility. She has performed at Carnegie Hall and released her debut EP\, Ink & Melodies\, which blends traditional Zimbabwean influences with modern expression. Her music is a bridge between cultures\, rooted in tradition and alive in the present. \nRujeko Dumbutshena \nRujeko is a Zimbabwean born dancer\, teacher\, cultural arts community organizer\, and performing artist of African dance practices. She is currently an Assistant Professor in Dance at the University of Florida. Rujeko Dumbutshena has performed and taught across the United States and internationally. For 16 years\, she directed African music and dance camps featuring artists from across Africa. She was an original cast member of the Broadway musical FELA! \nNapoleon Jambwa \nBorn and raised in Highfield\, Harare\, Kudzie Jambwa grew up steeped in Zimbabwe’s musical traditions. Taught his first mbira song by his father at age five\, he went on to master marimba\, ngoma\, hosho\, and a range of modern instruments\, and added dance\, from traditional African to Western styles\, to his remarkable repertoire. He is a complete artist in every sense of the word. \nUkama Band \nUkama is a Northwest-based band and emerging arts initiative that brings people together through music\, culture\, and community. We promote and back artists\, helping bring meaningful cultural exchange\, live performance\, and connection to our communities. \nTickets: A Night of Zimbabwean Music\, Dance\, Drumming & Song via ThunderTix
URL:https://newprospecttheatre.org/event/a-night-of-zimbabwean-music-dance-drumming-song/
LOCATION:Lucas Hicks Auditorium
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DTSTART;TZID=America/Los_Angeles:20260727T090000
DTEND;TZID=America/Los_Angeles:20260806T130000
DTSTAMP:20260613T050958
CREATED:20260415T205751Z
LAST-MODIFIED:20260415T205751Z
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SUMMARY:Summer Camp - Bits of the Bard
DESCRIPTION:July 27th – August 6th Mondays-Fridays 9am-1pm \nExperience the timeless magic of William Shakespear’s wonderous tales in this immersive exploration of his delightful and sometimes dastardly characters. \nMeet the Instructors: \nJane Entwistle: Improv and Acting \nKeefe Healy: Puppetry and Playwriting \nJordan Kaulana: Music and Story Telling \nSuzanne Mackay: Directing and Choreography \nOther Guest Teachers: \nAdaryn Healy Performance \nHazel VanBuskirk Costumes \nTuition $400: Bits of the Bard Camp via ThunderTix
URL:https://newprospecttheatre.org/event/summer-camp-bits-of-the-bard/
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